- #VITO LEBLANC SAXOPHONE SERIAL NUMBERS SERIAL NUMBERS#
- #VITO LEBLANC SAXOPHONE SERIAL NUMBERS SERIAL NUMBER#
His highly individualistic playing style, which featured the use of a wide vibrato and much sliding between slurred notes, was frequently imitated. He had a pure tone and economy of melody on both the blues and ballads that won him admiration from musicians of all eras and styles, from Ben Webster and John Coltrane, who both played with him when he had his own orchestra in the 1950s, to Lawrence Welk, who featured him in an album of standards. Other songs recorded by the Ellington Orchestra which prominently feature Hodges's smooth alto saxophone sound are "Magenta Haze", " Prelude to a Kiss", "Haupe" (from Anatomy of a Murder) – also notable are the "seductive" and hip-swaying "Flirtibird", featuring the "irresistibly salacious tremor" by Hodges, "The Star-Crossed Lovers" from Ellington's Such Sweet Thunder suite, " I Got It Bad (And That Ain't Good)", " Blood Count" and "Passion Flower". In performance: Hodges with Ellington, Frankfurt, Germany, February 6, 1965.Įllington's practice of writing tunes specifically for members of his orchestra resulted in the Hodges specialties, "Confab with Rab", "Jeep's Blues", "Sultry Sunset", and "Hodge Podge". Goodman described Hodges as "by far the greatest man on alto sax that I ever heard." Charlie Parker called him "the Lily Pons of his instrument." He was one of the prominent Ellington Band members who featured in Benny Goodman's 1938 Carnegie Hall concert. Hodges joined Duke Ellington's orchestra in November 1928. Hodges built a name for himself in the Boston area before moving to New York in 1924. Hodges played "My Honey's Lovin' Arms" for Bechet, who was impressed with his skill and encouraged him to keep on playing. Hodges's eldest sister introduced him to Bechet, who asked him to play something on the soprano saxophone he had brought with him. When Hodges was 14, he went with his eldest sister to see Sidney Bechet play in Jimmy Cooper's Black and White Revue in a Boston burlesque hall. It was around this time that Hodges developed the nickname "Rabbit", which some people believe arose from his ability to win 100-yard dashes and outrun truant officers, while others, including Carney, said he was called by that name because of his rabbit-like nibbling on lettuce and tomato sandwiches. He had taken up the soprano saxophone by his teens. Once he became good enough, he played the piano at dances in private homes for $8 an evening. While his mother was a skilled piano player, Hodges was mostly self-taught. His first instruments were drums and piano. After moving for a short period of time to North Cambridge, the family moved to Hammond Street in the South End of Boston, where he grew up with saxophonists Harry Carney (who would also become a long-term member of Duke Ellington’s big band), Charlie Holmes and Howard E. Hodges and Katie Swan Hodges, both originally from Virginia. Leblanc Company became the exclusive US distributor of Yanagisawa saxophones.Hodges was born in the Cambridgeport neighborhood of Cambridge, Massachusetts, to John H. In 1990, this innovation continued with the S-990, the first saxophone to have a high G key.
#VITO LEBLANC SAXOPHONE SERIAL NUMBERS SERIAL NUMBERS#
Leblanc Vito Alto Saxophone Serial Numbers In 1985, Yanagisawa released the S-880, the first soprano saxophone with a detachable neck. The first sopranino SN-6 ever built in 1972 now belongs to Sonny Rollins. Since 1969, Yanagisawa has become most well known for their innovations in soprano and sopranino saxophones.
During the 60’s and 70’s, Yanagisawa developed and built new models of saxophones including the model B-6 bari saxophone and the S-6 soprano saxophone, the first ever of their type to be built in Japan. In 1951, Takutaro’s son, Takanobu Yanagisawa followed in his father’s footsteps to build his first prototype saxophone. During this time, Tokutaro would mentor young instrument makers including Kouichi Muramatsu, who would eventually build his own flute company. In 1921, Yanagisawa established their first factory making trumpets and cornets. The family legacy dates back to 1893 with Tokutaro Yanagisawa repairing woodwind instruments in Japan for military band members. Yanagisawa has become known for their reputation for high quality and hand craftsmanship.
#VITO LEBLANC SAXOPHONE SERIAL NUMBERS SERIAL NUMBER#
Value of a Vito serial number 168628, alto I have a Vito alto saxophone stamped 'Taiwan' with serial number 441759. My friend wants to sell a Vito Alto Sax serial number 056020 with Japan sta. Leblanc 2545P Vito II Tenor Saxophone Mouthpiece.
Universal ALTO SAX Mouthpiece, Cap, Ligature by East Coast Instruments.
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